Turn a manuscript, course or non-fiction into an audio version with one consistent narrator voice. Work with chapters like projects and control names, stress, pace and export.
Measured timbres that are comfortable to listen to for hours — for prose, non-fiction and children's books.
Female voice, for stories and narration.
Female voice, for stories and audiobooks.
Female voice, for stories and narration.
The voice doesn't “tire” or change between sessions — the whole book sounds cohesive.
Large projects are processed chapter by chapter and part by part, and the character limit is set by your plan.
Fix tricky names and terms in the editor — the model remembers them across the whole book.
Paste in chapters, sections or the whole manuscript and work with the book as a project.
Pick a timbre for the genre and set the reading pace.
Download the finished audiobook as WAV — by chapter or as a single file.
Publish an audio version of your book without a studio or a narrator's fee.
Voice your catalogue faster and cheaper than in a studio.
Textbooks and study guides in audio for an accessible environment.
Publish translations as audio: one book — several language versions with pronunciation control.
The first 10.000 characters are free — enough for a trial chapter.
“I turned my study guides and manuals into audio without studio sessions — costs dropped several times over, and I update chapters without re-recording.”
“I put together an audio version of the professional literature I needed in one evening — I listen on the go in an even, calm voice.”
“I voiced 12 hours of documentation and a product reference in a couple of evenings. I update chapters without re-recording.”
Work not paragraph by paragraph but chapter by chapter: save text, voice, pronunciation and audio.
Clean audio with no service audio watermarks for publishing, within your plan and the service rules.
Fix stress and names — the model applies them across the whole book.
Yes, if you hold the rights to the source text and your use of the voiceover matches your plan and the service rules.
In the editor you can set a word's pronunciation once — the model applies it throughout the book's text.
Yes. Unlike a live narrator, the timbre and pace don't “drift” between sessions — the whole book sounds cohesive.
Studio narration of a book means dozens of hours of a narrator's work, studio rental and weeks of mixing. For an independent author, such costs often make an audio version unattainable, even though demand for audiobooks grows year after year.
AI removes the barrier to entry: a manuscript becomes a finished audiobook in an evening, and the cost is measured not in fees but in characters of text. This opens the audio format even to niche titles.
For literary fiction, a warm, unhurried timbre matters, one that holds the mood over the long run. Non-fiction and business books benefit from a clear announcer voice, and children's books from a soft, lively one.
In HancVoice the voices are grouped by genre, so you can pick a narrator in a minute and immediately hear a fragment of your chapter performed by them.
The main challenge of long texts is character names, place names and terms. In the editor you set the pronunciation once, and the model applies it across the whole book without slipping from chapter to chapter.
Reading pace and pauses between scenes are adjustable too. Unlike a live narrator, the voice doesn't tire and sounds even from the first page to the last.
The finished book downloads by chapter or as a project file in WAV/MP3 — a format that's convenient to send into editing, proofreading and publishing.
Commercial use is possible within your plan, your rights to the text and the service rules; the export contains no HancVoice audio watermarks.
Create a custom voice — and narrate the book as yourself, without spending days in a studio. How to create a voice →
No voice of your own — choose a system voice from the working library. Open voices →
The first 10.000 characters are free. No card, no subscription.